Alongside its public program, the gallery works closely with private collectors, museums, and cultural institutions to build thoughtful, lasting collections. Drawing on decades of curatorial and advisory experience, the gallery's work encompasses acquisitions, collection strategy, and long-term stewardship, all grounded in rigorous research, curatorial expertise, and in-depth market knowledge. Working collaboratively with each client, Alison Bradley Projects helps build collections that reflect intellectual coherence, historical significance, and enduring cultural value. 

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MUSEUM ACQUISITIONS

  • Kunié Sugiura, After Electric Dress, 2002

    → Harvard Art Museums

  • Motoyuki Shitamichi, torii # 29 Sakhalinskaja, Russia. 2006-2012, 2017-Present

    → George Eastman Museum

  • Kunié Sugiura, Clematis B, 2000

    → Herbert F. Johnson Museum of Art

  • Tamiko Nishimura, Kittenish... (#039), 1970

    → Herbert F. Johnson Museum of Art

  • Yasuhiro Ishimoto, Japan, c. 1950s-60s

    → Herbert F. Johnson Museum of Art 

  • Kunié Sugiura, Yayoi Kusama Cp 2, 2003

    → Hirshhorn Museum

  • Yuki Katsura, Towering Rage, 1953

    → Asian Art Museum

  • Yuki Katsura, Still Life, 1951

    → San Francisco Museum of Modern Art

  • Haji Oh, Seabird Habitatscape #1 - Bunda Lagoon and Mother Mountain, 2024

    →  dib Bangkok

  • Motohiro Takeda, Something in the Garden 05, 2020

    → New York Public Library

  • Nan Goldin, portfolio of 30 distinct images from the series, The Other Side, 1972-1998

    → San Francisco Museum of Modern Art

  • Kunié Sugiura, Promontory, 1980

    → The Metropolitan Museum of Art

  • Tamiko Nishimura, My Journey – Tokyo (#13), 1979

    → The Metropolitan Museum of Art