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Artworks

Open a larger version of the following image in a popup: Yuki Katsura, Still Life, 1951

Yuki Katsura

Still Life, 1951
Oil on canvas
19 3/4 x 24 1/8 in
50 x 61 cm
For Institutional Purchase Only
Copyright The Artist
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Exhibitions

"The World of Yuki Katsura – The Vision of a Female Artist in Paintings and Collages" The Museum of Modern Art,

Ibaraki, Japan (1998)

"Yuki Katsura - A Fable" Museum of Contemporary Art, Tokyo, Japan (2013)

Literature


Publications


Yuki Katsura [Katsura Yuki] (Shimonoseki, Japan: Shimonoseki Municipal Museum of Art, 1991).


The World of Yuki Katsura: The Vision of a Female Artist in Paintings and Collages [Katsura Yuki No Sekai: Kaiga To Korājyu Ni Miru Josei Gaka no Manazashi], (Ibaraki, Japan: Ibaraki Museum of Modern Art, 1998).

Exh.cat. 1998, pg.17 )


Yuki Katsura - A Fable [Aru gūwa], (Tokyo, Japan: Museum of Contemporary Art Tokyo, 2013).

Exh.cat. 2013, pg.10, 90 


Demythifying Japanese Woman Artists: Yuki Katsura, Yayoi Kusama, Atsuko Tanaka, Yuko Nasaka [On’natachi ha shinwa wo hodoku: Katsura Yuki, Kusama Yayoi, Tanaka Atsuko, Nasaka Yuko], NUKAGA GALLERY (Tokyo, Japan: Toppan Printing Co., Limited, 2016).


Kunimoto, Namiko.,The Stakes of Exposure: Anxious Bodies in Postwar Japanese Art, (Minneapolis, U.S.A.: University of Minnesota Press, 2017).


Yoshimoto, Midori. “Women Artists in the Japanese Postwar Avant-Garde: Celebrating a Multiplicity,” Woman’s Art Journal, 27(1): Spring/Summer 2006, pp. 26-32.


Volk, Alicia., “Katsura Yuki and the Japanese Avant-Garde Author,” Woman's Art Journal, 24(2): Autumn/Winter 2004, pp. 3-9.


Kokatsu, Reiko., “Postwar ‘Avant-Garde’ Art Movements and Women Artists, 1950s-60s,” in Feminism in/and Japanese Art, Bunka-cho Art Platform Japan Translation Series, 2021, pp. 1-35; Originally published as “Postwar ‘Avant-Garde’ Art Movements and Women Artists [Sengo no ‘zen’ei’ geijitsu undō to josei āchisuto 1950-60 nendai]”, in Japanese Women Artists in Avant-Garde Movements, [Zen’ei no josei 1950–1975 / J1950–1975], (Tochigi Prefectural Museum of Fine Arts, 2005), pp. 9–17; Reprinted in Kagawa Mayumi, Kokatsu Reiko, Drawing from networks of memories: Dialogue on art and gender [Kioku no amime wo taguru: āto to jendā o meguru taiwa] (Tokyo: Saikisha, 2007), 207–34. Translated by Nina Horisaki-Christens.





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